DURAND CLAUDE Debussy La Cathedrale Engloutie For Piano. Be the first to review this product. CA$ Out Of Stock. SKU. Catalog #: . Jiri Kylián’s ballet is set to a composition by Claude Debussy which was inspired by a fifteenth-century Breton legend. This tells how a cathedral was built on a. La cathédrale engloutie. (). by Claude A Debussy, Colin Matthews. Description: Debussy, orchestrated by Colin Matthews; Duration: 5; Genres: Full.

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Interestingly, a statue of Gradlon still stands between the spires of the Cathedral of Saint Corentin in Quimper. These chords bring to mind two things: These file ,a are part of the Werner Icking Music Collection. All versions agree that Dahut does not escape her fate. Sounds can be heard of priests chanting, bells chiming, and the organ playing, from across the sea.

The Story of Debussy’s “The Sunken Cathedral”

Unsourced material may be challenged and removed. Another version says that Dahut steals the key to let her secret lover in to the city during the night, mistakenly flooding the city.

Javascript is required for this feature. LMC issued shortly after this score is a critical cathedfale by James Briscoe on which copyright is claimed.

This piece is based on an ancient Breton myth in which a cathedral, submerged underwater off the coast of the Island of Ysrises up from the sea on clear mornings when the water is transparent. A voice called out to throw his sinful daughter into the sea or he would not escape the waters that were about to overtake him.

La Cathédrale Engloutie

Finally, it is out of sight and only the bells are heard at a distant pianissimo. A second theme theme 2appearing for the first time in measuresrepeats in measures You may ask me for a manually cleaned version. It was engloutid throughout the region for its beautiful gardens and buildings. This page was last edited on 21 Decembercatthedrale This is quite different from simple melodic doubling, like the 3rds in Voilesor the 5ths in La Merwhich are not usually heard alone without a significant accompanimental figure.

John Carpenter used it as sound track in his scifi movie Escape from New York. This file is part of the Sibley Mirroring Project. There are two methods of parallelism in music; exact and inexact. Following the grand entrance and exit of the organ, the cathedral sinks back down into the ocean measures and the organ is heard once more, but from underwater.

Some extra work has been done in erasing the titles at the beginning of each piece and placing them at the end, following the Author’s wish.

Préludes, Livre 1 (Debussy, Claude) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Contents 1 Performances 1. For example, some performers use their full body weight to depress keys to create a rich sound. Ys becomes submerged in the sea.

From Wikipedia, the free encyclopedia. Imaginative editing for pianists seeking a fresh look at this masterpiece in this centenary year.

Retrieved from ” http: Apparently a re-engraving of the Durand score above.

Throughout all of this motivic repetition, transposition, and inversion, the themes longer phrases made up of the smaller motifs stay very much static, with only occasional elongation or shortening throughout the piece: This section does not cite any sources.

His daughter, Dahut, on the other hand is usually described as a sinful, deceitful princess. Recorded by pianist Ivan Ilic in AprilParis. The rising pentatonic theme in measure 1 theme 1 repeats in measure 3, 5, 14, 15, 16, 17, 84, 85, and with a slight variations in measures and Through application, tonal ambiguity is created that is often seen in Impressionist music.

Performer Pages Chiara Bertoglio Piano. April Learn how and when to remove this template message.

Also performers create a ringing bell sound by instantly releasing pedaled notes. MacMillin, La Cathedrale engloutie 5: He does so and she turns into a mermaid. Accessed March 17, It was also very vulnerable to flooding, being situated below sea level.

The nearly symmetrical form of intro-ABA-outro helps illustrate the legend that Debussy is alluding to in the work, and his markings help point toward both the form and the legend.

Creative Commons Attribution-NonCommercial 3. Editor First edition reissue.

La Cathédrale Engloutie

Creative Commons Attribution 3. Jane Mortier, piano First Pub lication. Creative Commons Attribution Non-commercial 3.